
Taking seriously as its starting point one of the most richly sedimented yet most deeply misunderstood popular music genres of new Europe – the term ‘ turbo – folk ’ was coined in the mid-1980s by Rambo Amadeus – Turbofolk is a rich, caustic, irreverent and sometimes darkly funny investigation of Ex-Yugoslav society and of how it might choose to tell its own story to itself. Turbofolk, in this regard, is classic and foundational Frljić. He is known for his cutting views towards the social, cultural and political world of Ex-Yugoslavia and for problematising the concept of Europe, through a theatre that is always made up of complex games in representation that pose rich critical interrogatives to his audiences. įrljić, whose recent work has mostly been produced in Berlin at HAU and Gorki, and who served as director of the National Theatre of Rijeka before resigning as an act of protest against Croatian cultural policy, is both a beloved and a controversial figure.

I fell in love with the melody and the lyrics.

The song Viens dans ma Vie from the vinyl « Viens Dans Ma Vie / Face A Face Avec Moi » released in 1977 by the Odeon Musik label from Istanbul.

Special thanks: dj_palosanto & javierferreira 1st Compilation from a fresh new label called Mamboz, based in Barcelona.Īdditional instruments Trombone & Euphonium 🎺 Patrice Komlanz « Viens dans ma vie » is released on a World Edits Vol I. Original song: Ajda Pekkan Viens dans ma vie 1977.
